Contents

• INTRODUCTION, page vii

PART ONE

• The tonal chorales: theory, analysis, and directions for harmonization
• CHAPTER ONE: Phrases and Cadences, page 3
• CHAPTER TWO: Harmonization, page 31
• CHAPTER THREE: Melody - melodic elaborations, page39
• CHAPTER FOUR: Parallel 5ths and 8ths, page 55
• CHAPTER FIVE: Analytical application - harmonization rules, page 79
• CHAPTER SIX: Harmonic rhythm in the Bach chorales, page 95

PART TWO

• Systems of understanding and organizing the musical material: 1476-1732
• CHAPTER SEVEN: Introductory remarks, page 121
• CHAPTER EIGHT: The systems of 8 and 12 modes, page 127
• CHAPTER NINE: Is mode real?, page141
• CHAPTER TEN: 17th century: a general view, page 161
• CHAPTER ELEVEN: The systems of 8 and 12 modes during the 17th century, page 171
• CHAPTER TWELVE: Psalm tones - Church keys, page 197
• CHAPTER THIRTEEN: 18th century: the first decades, page 235

PART THREE

• The modal chorales
• CHAPTER FOURTEEN: Some characteristic instances of 'authentically' modal harmonizations, page 265
• CHAPTER FIFTEEN: Dorian chorales, page 285
• CHAPTER SIXTEEN: Phrygian chorales, page 319
• CHAPTER SEVENTEEN: Mixolydian chorales, page 359
• CHAPTER EIGHTEEN: Aeolian chorales, page 401

BIBLIOGRAPHY, page 435

INDEX OF MUSICAL WORKS, page 445

INDEX OF MUSICAL TERMS and MUSIC THEORISTS, page 452

Pages: 478
Language: Greek
Publisher: Papagrigoriou - Nakas