Demanding though it is, practicing scales is an essential part of learning to play an instrument.

I cannot insist too much on the difference between mastering one or more pieces and mastering an instrument. When musicians have learned to master an instrument, they will be able to play any type of music, be it classical, madern, jazz, rock, or pop, and they will have a technical command of full range of expression. Then they can play any piece they choose.

Using these articulation exercises to practice scales and arpeggios from memory and with the metronome develops many qualities, including:

• even tone
• speed
• fluid fingering
• regular tempo
• breath control
• distinct, precise, and clear attacks
• a supple embouchure
• smooth articulation
• exact intonation
• balanced nuances
• precise accents
• memory
• concentration
• a sense of method
• a feel for playing

The first series of articulation exercises is intended for beginners. The second series is for other students. Part A of the second series is especially adapted to conjuct scales. Parts B, C and D are adapted to arpeggio-type scales

Pages: 36
Language: English, German, French, Spanish
Publisher: Henry Lemoine